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    <title><![CDATA[wiley-davis.com]]></title>
    <link>http://wiley-davis.com</link>
    <description>Short stories</description>
    <dc:language>en</dc:language>
    <dc:creator>wileydavis@gmail.com</dc:creator>
    <dc:rights>Copyright 2011</dc:rights>
    <pubDate>Sun, 19 Jun 2011 20:34:13 GMT</pubDate>
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    <item>
      <title><![CDATA[Terminal Visit - A Novella]]></title>
      <link>http://wiley-davis.com/transmissions/transmission/terminal_visit</link>
       <guid isPermaLink="false">http://wiley-davis.com/transmissions/transmission/terminal_visit#id:18#date:17:09</guid>
      <description><![CDATA[<p>After his wife Allison falls sick with a brain tumor, Bryson wakes up in a strange cabin in the desert. Here he finds Allison, vibrant and healthy, and they share one last night before she &#8220;wanders off into the desert to die.&#8221;</p>

<p>In the aftermath of Allison&#8217;s disappearance, Bryson contemplates the life they&#8217;ve shared and grapples with Allison&#8217;s final warning, that he should leave the cabin, before it&#8217;s too late.</p>

<div style="margin-left: 285px;">
<p><strong><a href="http://www.amazon.com/dp/B0055KTDLC">Buy now to read on the Kindle for only  2.99</a></p>

<p><a href="http://www.barnesandnoble.com/w/terminal-visit-wiley-davis/1103829384?ean=2940012878830&amp;itm=1&amp;usri=terminal%2bvisit">Or for the Nook, for $2.99</a></p>

<p><a href="https://www.createspace.com/3712124">Or in good old-fashioned print</a><br />
</strong></p>
</div>]]></description>
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	    <url>http://wiley-davis.com/art/waveform.jpghttp://wiley-davis.com/art/tv_cover.jpg</url>
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      <dc:subject><![CDATA[Front Page, My Books,]]></dc:subject>
      <pubDate>Wed, 01 Jun 2011 17:09 GMT</pubDate>
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      <title><![CDATA[Fusio Taganinni and the Long Rescue]]></title>
      <link>http://wiley-davis.com/transmissions/transmission/fusio_taganinni_and_the_long_rescue</link>
       <guid isPermaLink="false">http://wiley-davis.com/transmissions/transmission/fusio_taganinni_and_the_long_rescue#id:28#date:17:37</guid>
      <description><![CDATA[<p><em>Excerpted from an upcoming eBook series about the life and perilous adventures of <a href="http://wiley-davis.com/taganini/">Fusio Taganinni, the godfather of 1980s American action television</a>.</em></p>

<p>This entry has made the top 10 in a writing contest. <a href="http://blog.emilysuess.com/2011/09/26/vote-writing-contest-finalist/">Go vote for it if you dig the Taganini!</a></p>

<p><img src="http://wiley-davis.com/art/130519143_14139091b5_z.jpeg" alt="Fusio Taganinni piloting a chopper" width="640" height="427" style="border: 0;" alt="image" style="float:left; margin: 0 25px 25px 0; "/></p><div class="book_text">

<p>The difference between good binoculars and bad binoculars wasn&#8217;t what it used to be. Even optics had fallen under the domain of cheap but good. Fusio Taganinni wanted to hate his cheap binoculars, but the lenses could reveal a blackened pore at a thousand yards and besides, these binoculars were custom.

<p>But even if the binoculars had been nothing more than two toilet-paper tubes glued together, Fusio could have identified JJ Watkins by the man&#8217;s diamond-studded watch, which flashed beams of sunlight as if it were some kind of laser weapon.</p>
<p>Fusio used to tease JJ about that watch, saying it could be used in triplicate as a timepiece, a long-distance semaphore, and a wrist-mounted dinner plate. He’d even written the watch into one of the first episodes of Shine Runners, where the blonde Lukas brother used it to ground a snooping ATF helicopter. Of course that was back when speaking to JJ didn’t require elaborate schemes, binoculars, and astroturf jumpsuits. Back, that is, when they were best friends — before he ever had to consider how close he’d need to get for an accurate shot to the neck.</p>
<p>Through the overlapping double circles of his binocular vision, Fusio followed as the big wrist-clock and the man attached to it bounced across the green in a golf cart dolled up to resemble a Rolls Royce. When JJ and and his two bodyguards turned their attention to the eleventh hole, Fusio toggled a switch glued to the side of his binoculars and the electrically-driven creeper underneath him began rolling across the grass, making him look, were there any keen-eyed observers, like a green flounder drifting along the bottom of a well-groomed sea.</p>
<p>Placing the controls on the binoculars was, to Fusio’s mind, a stroke of genius, allowing him to keep his eyes on the target even as the creeper moved him across the golf course with a soft electrical whisper. Fusio though it sounded just like that stealth hovercraft the crew of Skycoyote battled in the second to last episode.</p>
<p>But he didn’t like to think about Skycoyote.</p>
<p>Instead he concentrated on JJ Watkins and his two bodyguards. The creeper had rolled him down behind a knoll and he could just make out JJ’s white cowboy hat and the bald head of one bodyguard, the big one. The other one was little. Not just in comparison to his gigantic counterpart, but little even compared to normal people. A midget, perhaps. Fusio didn’t worry about the midget. As soon as he crested the hill, he’d have a clear bead on all of them.</p>
<p>He checked the little green LED and confirmed that the binocular gun was armed. Four shots was all he had. He toggled the creeper and started up the slope, taking a moment to glance at the tree to his left. Not a leaf rustled. No wind. Good for his shot, but bad for cooling. Astroturf jumpsuits didn’t breathe like he thought they would, and the silk liner didn’t help. Rivulets of sweat rolled down his legs. He’d be able to take the ridiculous thing off soon enough.</p>
<p>He got the big bodyguard in his crosshairs. It’d be a clean shot right into the man’s fatty neck. Just a little bit closer. Just a… What the?</p>
<p>The creeper had stopped moving. The wheels spun, the electric whisper whispered, but it was stuck. There wasn’t enough traction to creep up the hill.</p>
<p>“Bastardo,” he said, almost too loud.</p>
<p>He toggled the creeper into reverse, and backed down the hill. Then, toggling full speed, Fusio made a run at it. The creeper bounced as it raced up the hill, it’s motors a little louder but still undetectable to all but Fusio. But right near the top, the creeper slowed, then stopped altogether, its small wheels spinning in the wet grass. Fusio backed up and made another run at it, this time approaching the slope at an angle. Again, the little creeper failed to reach the top.</p>
<p>“Bastardo!” Fusio swore again, this time too loudly.</p>
<p>“What was that?” one of the bodyguards said as he turned toward Fusio’s position.</p>
<p>Fusio had to make his move.</p>
<p>So he did.</p>
<p>Fusio leapt up from the creeper as if he’d been stung, and ran straight at the two bodyguards racing down the hill toward him. As he closed the gap, Fusio kept the binocular gun raised to his eyes. It was only accurate to twenty feet. And it could only be aimed through its twin lenses. It had only four shots.</p>

<p>FREEZE FRAME</p>
<p>Appreciate the scene for a moment. Savor it. Fusio Taganinni, a sixty-year-old man dressed from head to toe in a silk-lined suit made from astroturf. His face and hands have been painted green. He’s running like a madman up a hill toward two oddly-sized and hairless bodyguards (hairless in full, one of JJ’s many quirks). He’s running at speed with a pair of binoculars raised to his face. This is incredibly difficult to do. So difficult, in fact, that Fusio designed the electrical creeper specifically so he wouldn’t have to.</p>
<p>But now he does.</p>
<p>Those two bodyguards loom in the lenses, one like a charging mountain range, the other more like a hill or a butte. The view is so close that Fusio can choose which neck pore to aim at.</p>
<p>And he does.</p>
<p>UNFREEZE FRAME</p>

<p>The darts flew from the binocular gun with a recoil that surprised, and injured Fusio. But each found its particular pore, sticking solidly and delivering its payload of tranquilizer. And in spite of the burning pain he felt around his eye sockets, Fusio kept the binocular gun raised, and his feet running, until he got the world-renowned country and western star JJ Watkins in his sights.</p>
<p>Another dart flew.</p>
<p>Another dart found its neck pore.</p>
<p>And when Fusio finally lowered his binocular gun, he had three incapacitated targets, and one dart to spare. <em>That</em>, he thought, <em>is how they do it in the Comando Alpine. </em></p>

<p>If it had ended there, Fusio’s plan would have been a success. But one of those cascading calamities ensued. As stated, the third dart hit its target, sinking into the flesh of JJ’s neck as he attempted to flee in his golf cart. This is where Fusio thought his self-congratulatory thoughts, reminiscing in the flash of a second on his days as an Italian military designer with the Comando Alpine. But the tranquilizer dose must have been just right, because as soon as JJ’s hand swatted at the dart embedded in his kneck, he passed out. With his foot on the accelerator. Fusio watched, horrified, as the faux Rolls accelerated across the green, it’s driver leaning dangerously askew.</p>
<p>Wasting no more time on nostalgic ruminations, Fusio ran after the runaway cart. But even with his long strides, the cart outpaced him three to one. After a short sprint, he stopped, and resigned himself to mere observation as the cart sped down the hill and then back up the other side. Fusio turned away in disgust. He walked back to the two bodyguards and pulled the darts from their necks. No need to leave evidence lying around.</p>
<p>If he’d been watching JJ’s unmanned escape, however, he would have seen that the golf cart began to slow as it reached the top of the hill, and that right before it went over the ridge, it turned to the left. In fact, the cart did a one-eighty, and rolled back down the hill.</p>
<p>Just as Fusio stood up, pocketing the blood-tipped darts, the golf cart rolled past and came to a stop not three feet from him, it’s incapacitated driver leaning out the side at a jaunty forty-five degree angle.</p>
<p>“I’ll be damned,” Fusio said. Little did he know.</p>
<p>He slid JJ’s limp body into the passenger seat and began wrestling the big bodyguard into the backseat. Another pod of golfers, if that’s what you call them, was moving up fast on the eleventh hole and he didn’t need them finding the drooling oaf and calling the cops. He grunted, pushed, pulled, and levered, eventually getting the doughy body into the rear seat and propped up into a respectable-looking position. That done, he tossed the midget bodyguard into the other side of the backseat and set the creeper across their laps. Fusio preferred his escapes clean.</p>
<p>He took one last look through the binoculars, scanning for unwanted observers. When the course looked clear, he threw the binoculars on top of the creeper and drove off toward the west end where he’d cut a hole in the fence, right in the path of the setting sun. He’d just driven through the hole and started up the ramp into a strategically-placed moving van, when his plan finally unraveled.</p>
<p>If it had been one of Fusio’s television shows, it would have looked like this: The camera tracks an in-focus Fusio as he drives to the getaway van. He’s staring at the camera head-on, and he’s got what could be described as a self-satisfied grin on his green-painted face. In the passenger seat next to him, JJ has begun to snore. The depth-of-field is shallow. Everything behind Fusio is out of focus and we see the two bodyguards in the back seat as blurry lumps. But then, one of the lumps stirs. Slowly the focus shifts, Fusio, still grinning as he steers the cart up the ramp, becomes blurred. The bodyguard on the left, now in tack-sharp focus, blinks a few times before realizing where he is. He looks several times between JJ and his diminutive counterpart. And then he sees the binocular gun. Now there are two self-satisfied grins in the golf cart. As the cart bounces along, he raises the binoculars, and fires that one last dart into the back of Fusio’s neck. The focus pulls back to Fusio, but before clarity can reach him, the scene fades to black.</p>
</div>

<p><a href="http://blog.emilysuess.com/2011/09/12/writers-week-writing-contest/" ><img src="http://farm7.static.flickr.com/6196/6112208099_f3c2537011_m.jpg" alt="writers' week" /></a></p>]]></description>
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      <dc:subject><![CDATA[Front Page,]]></dc:subject>
      <pubDate>Sat, 13 Aug 2011 17:37 GMT</pubDate>
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      <title><![CDATA[GH2 Computar Lens Modification]]></title>
      <link>http://wiley-davis.com/transmissions/transmission/gh2_computar_lens_modification</link>
       <guid isPermaLink="false">http://wiley-davis.com/transmissions/transmission/gh2_computar_lens_modification#id:27#date:14:46</guid>
      <description><![CDATA[<p>A quick video showing how I modified a Computar 12.5mm f1.3 c-mount lens to work with my panasonic GH2. The back of the lens needed to be shaved down on the lathe to sit flush against the adapter. Without this mod, the lens won&#8217;t focus to infinity. It does now and I have a very fast little lens.</p>]]></description>
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      <dc:subject><![CDATA[Front Page,]]></dc:subject>
      <pubDate>Sun, 17 Jul 2011 14:46 GMT</pubDate>
	<media:content url="http://thungy-videos.s3.amazonaws.com/1310914348-computar_lens_mod.mp4" type="video/mp4" height="236" width="420" medium="video" isDefault="true">
	<media:title>GH2 Computar Lens Modification</media:title>
	<media:description>Making a weird lens fit my camera</media:description>
	<media:thumbnail url="http://wiley-davis.com/art/lens_mod.png" height="98" width="145"/>
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      <title><![CDATA[Motorized Bicycle Video Montage]]></title>
      <link>http://wiley-davis.com/transmissions/transmission/motorized_bicycle_video_montage</link>
       <guid isPermaLink="false">http://wiley-davis.com/transmissions/transmission/motorized_bicycle_video_montage#id:26#date:14:54</guid>
      <description><![CDATA[<p>In an <a href="http://wiley-davis.com/index.php/transmissions/transmission/the_torch_of_ineptitude">earlier post</a>, I wrote about building a motorized bicycle from scratch.&nbsp; A friend and I recently shot some footage of it for a post-apocalyptic short film. This video isn&#8217;t that film (still shooting). But it does show the bike.</p>]]></description>
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      <dc:subject><![CDATA[Front Page,]]></dc:subject>
      <pubDate>Wed, 13 Jul 2011 14:54 GMT</pubDate>
	<media:content url="http://thungy-videos.s3.amazonaws.com/1310914514-longbow_intro.mp4" type="video/mp4" height="236" width="420" medium="video" isDefault="true">
	<media:title>Motorized Bicycle Video Montage</media:title>
	<media:description>A video of the bike I built from scratch</media:description>
	<media:thumbnail url="http://wiley-davis.com/art/bike_stairs.png" height="98" width="145"/>
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      <title><![CDATA[Mark Steck on Terminal Visit]]></title>
      <link>http://wiley-davis.com/transmissions/transmission/mark_steck_on_terminal_visit</link>
       <guid isPermaLink="false">http://wiley-davis.com/transmissions/transmission/mark_steck_on_terminal_visit#id:23#date:14:11</guid>
      <description><![CDATA[<p>I asked my friend and fellow writer, <a href="http://markbernardsteck.com/">Mark Steck</a>, to say a few words about my novella, <a href="http://wiley-davis.com/index.php/transmissions/transmission/terminal_visit">Terminal Visit</a>.</p>]]></description>
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      <dc:subject><![CDATA[Front Page,]]></dc:subject>
      <pubDate>Thu, 30 Jun 2011 14:11 GMT</pubDate>
	<media:content url="http://thungy-videos.s3.amazonaws.com/1310914643-mark_steck_tv.mp4" type="video/mp4" height="236" width="420" medium="video" isDefault="true">
	<media:title>Mark Steck on Terminal Visit</media:title>
	<media:description>Watch a short video about Terminal Visit that doesn't say much</media:description>
	<media:thumbnail url="http://wiley-davis.com/art/L1020703.JPG" height="98" width="145"/>
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      <title><![CDATA[The Art of Tipping and Loneliness]]></title>
      <link>http://wiley-davis.com/transmissions/transmission/the_art_of_tipping_and_loneliness</link>
       <guid isPermaLink="false">http://wiley-davis.com/transmissions/transmission/the_art_of_tipping_and_loneliness#id:22#date:13:15</guid>
      <description><![CDATA[<div class="book_text">
<p>I saw him come in every day. And every day he ordered the same thing and sat down at the same table. He’d eat his slice of veggie pizza and drink his Coke and smile at customers as they passed by him on their way to the counter. Sometimes, if someone sat at a nearby table and said some pleasantry to him, he’d get this joyful look in his eye and take a breath as if about to speak. But he’d always let this breath out in an almost imperceptible sigh, and smile or nod before turning back to his pizza&#8212;as if the pizza and he had been in the middle of some thoughtful discussion.</p>

<p>This would have made sense to me if he was a bit weird looking or if he brought a book with him or even a newspaper. But he wasn’t and he didn’t. The other cooks had theories about him. About why he wasn’t in class during the day or at least typing out some term paper like most of our customers.</p>

<p>He always ordered politely, &#8220;May I have a slice of veggie pizza and a coke?&#8221; he’d say. He always put a dollar in the tip jar but he’d wait for the cashier to turn around to put up the ticket before dropping it in. I got the feeling, watching him, that all he wanted was a friend. But I never could bring myself to approach him with anything more than his freshly-baked slice.</p>

<p>I too am made uncomfortable by tipping eye-to-eye.</p>
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      <dc:subject><![CDATA[Front Page,]]></dc:subject>
      <pubDate>Thu, 30 Jun 2011 13:15 GMT</pubDate>
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      <title><![CDATA[The Torch of Ineptitude]]></title>
      <link>http://wiley-davis.com/transmissions/transmission/the_torch_of_ineptitude</link>
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      <description><![CDATA[<div class="book_text">
<p><img src="http://wiley-davis.com/art/L1010670.JPG" alt="blue bicycle in the mojave desert" width="450" style="border: 0; float: left; margin: 25px 25px 25px 0;" alt="image" /><br />
While I was out of town, a welding torch showed up on my doorstep. The FedEx man had set the box (containing hoses and regulators and two high-pressure tanks) right in front of my door so that it couldn’t be missed. If the tanks had been full, he’d have set enough energy on that porch to destroy my entire house. But the tanks were empty. Empty and waiting.</p>

<p>Worn out from my flight home, I walked up my front steps and almost ran into the box.</p>

<p>I’d forgotten I ordered the torch.</p>

<p>But the heavy box, with its strapping tape applied so neatly it must have been done by a machine or an artist, insisted I remember. “Remember me?” it asked. “You had big plans for me when you sent in your order. Don’t let me down, buddy.”</p>

<p>I did have big plans. From the day I realized that vehicles were made by actual people instead of some alien race of master craftsmen, I’d wanted to design and build my own vehicle.</p>

<p>From scratch.</p>

<p>I’m not talking about picking some bolt-on items from a catalog and wrench-twirling my way to a so-called custom machine. No. I meant drafting the lines and the angles. I meant practicing that black art known as vehicle dynamics. I meant spending days figuring if that 1/4” bolt should have been 3/8” instead.</p>

<p>I meant, that is, accepting the strong probability that my creation would fail. Because that’s what it means to make something from scratch, always-imminent failure. So when the welding torch arrived, I was excited, but also scared. With such a tool, the only thing standing between me and my dream of a home-made vehicle, was my own substantial ineptitude. But I believe we are all inept while exploring the realm of The Interesting. It’s the nature of that space.</p>

<p>I filled the empty tanks a few days later and began creating fantastic piles of useless metallic sculpture while practicing my brazing and welding. Eventually I started to get the idea. I learned how to move both hands in precise motions at the same time, like a silent, pyromaniac, drummer. I learned how to adjust the regulators and light the torch without blowing myself up. I learned how to breathe and hum a tune to keep my hands loose. I’m still not very good. My welds are not yet art. But as I practiced, my joints went from brass and steel-splattered failures, to things with actual structural properties that withstood hammer blows. Eventually they were good enough that I trusted them, and I began building my motorized bicycle.</p>

<p>Welding and brazing weren’t the only required skills, of course, but I followed much the same course for each new challenge. Every step demanded I jump into the pit of ineptitude and claw my way out. Never was it clear that I’d succeed. But in the end, I built the bike you see in the picture. I’ve ridden it from San Diego to Las Vegas and spent five days on it touring around Arizona. For each of those thousand or so miles, I listened with the ear of a new parent for the sounds of danger. Every new noise was cause for a roadside inspection. I still listen to it the same way because it is, after all, my own creation. There’s no user’s manual to inform me of its needs.</p>

<p>This is a success story but they don’t all turn out as such. When it comes to doing your own thing, failure is always more likely. Writing fiction is a good example of this. I can&#8217;t tell you how many stories I&#8217;ve written and had to throw away. When I started writing <a href="http://wiley-davis.com/index.php/transmissions/transmission/terminal_visit">Terminal Visit</a>, it began as a completely different story than the novella I ended up with. At least three times I gave it up, only to start again a week later when some new aspect of Bryson or Allison&#8217;s character began nagging at me in my sleep.</p>

<p>The characters in <a href="http://wiley-davis.com/index.php/transmissions/transmission/terminal_visit">Terminal Visit</a>, are a husband and wife in the not-too-distant future who followed their own direction and ended up lost. Does that mean they failed? In the end, I’m not sure. Does that make them admirable? To my mind, absolutely. But as to whether or not the sacrifices they make are worth it, each of us will probably see differently. <a href="http://wiley-davis.com/index.php/contact/">I’d love to hear your take</a> on the matter.</p>
</div>]]></description>
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      <dc:subject><![CDATA[Front Page,]]></dc:subject>
      <pubDate>Thu, 23 Jun 2011 23:45 GMT</pubDate>
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